About Mettawee’s COMMUNICATIONS FROM A COCKROACH: Archy and the Under Side
This show is drawn from the Archy and Mehitabel sketches, which were written by noted humorist and poet Don Marquis for his daily column in the New York Sun starting in 1916.
The illustrious Archy is a cockroach who possesses the reincarnated spirit of a free-verse poet and who finds his means of expression by jumping from key to key on Marquis’ typewriter. He shares with us his misadventures as well as those of Mehitabel, an alley cat with the soul of Cleopatra.
Archy, Mehitabel and their lowlife acquaintances face the bewildering challenges of the modern world with humor and a sturdy spirit of determination. This rich material provides us with a context for the creation of a wide array of puppet critters operated by actors in full view of the audience – from fleas, tarantulas and crickets, to an ancient Egyptian mummy – a colorful population from the nooks and crannies of early 20th century New York.
Performed out under the stars within a landscape permeated with live music, song and a spirit of celebration.
Performed by The Mettawee River Theatre Company under the direction of Ralph Lee on the Amherst College Observatory Lawn off of Snell Street in Amherst.
Bring blankets, lawn chairs and insect repellent, but leave the dogs at home!
Rain Space: Holden Theatre on the Amherst College campus.
Tickets: $8 Adults / $6 Children (12 & under). Cash or check only, no credit cards at the door.
No reservations necessary! (Unless the weather looks iffy on the day of the performance)
THE METTAWEE RIVER THEATRE COMPANY
The Mettawee River Theatre Company, founded in 1975, creates original theater productions which incorporate masks, giant figures, puppets and other visual elements with live music, movement and text, drawing on myths, legends and folklore of the world’s many cultures for its material. The company is committed to bringing theater to people who have little or no access to live professional theater. Each year Mettawee presents outdoor performances in rural communities of upstate New York and New England as well as performing in the New York City area. For more information visit http://www.mettawee.org
Ralph Lee first created puppets as a child growing up in Middlebury, Vermont. He graduated from Amherst College in 1957, and studied dance and theater in Europe for two years on a Fulbright Scholarship. Upon returning to the United States, Lee acted on Broadway, off-Broadway, in regional theaters and with the Open Theatre. During that period he started creating masks, unusual props, puppets and larger-than-life figures for theater and dance companies, including the New York Shakespeare Festival, Lincoln Center Repertory Theatre, the Living Theatre, the Erick Hawkins Dance Company, Shari Lewis and Saturday Night Live (he created the Land Shark).
In 1974, while teaching at Bennington College, Ralph Lee staged his first outdoor production, which took place all over the college campus, and featured giant puppets and masked creatures. That same year he organized the first Greenwich Village Halloween Parade, which he directed through 1985. For his work on the parade Mr. Lee received a 1975 Village Voice OBIE Award, a 1985 Citation from the Municipal Arts Society, and in 1993 he was inducted into the CityLore People’s Hall of Fame.
In 1976 Ralph Lee became Artistic Director of the Mettawee River Theatre Company, which has been a center of his creative activity ever since. Mettawee’s productions are based on creation myths, trickster tales, Sufi stories, legends and folklore from the world’s many cultures. In addition to annual tours to rural communities, Mettawee has presented Ralph Lee’s work at the Cathedral of St. John the Divine, the New York Botanical Garden, Provincetown Playhouse, the Henson Foundation’s International Festival of Puppet Theater, La MaMa E.T.C., INTAR, Lincoln Center Out-of-Doors, Central Park Summerstage, The Bowery Poetry Club, and many other locations.
Ralph Lee is the recipient of a 2003 Guggenheim Fellowship in Drama. Two of Ralph Lee’s Mettawee productions have been honored with American Theatre Wing Design Awards: The Popol Vuh in 1995 and Wichikapache Goes Walking in 1992. Under Mr. Lee’s direction, Mettawee has also received a 1991 Village Voice OBIE Award and two Citations for Excellence from UNIMA, the international puppetry organization. Additional awards to Mr. Lee include a 1996 Dance Theatre Workshop Bessie Award for “sustained achievement as a mask maker and theatre designer without equal” and a 1996 New York State Governor’s Arts Award in recognition of his many contributions to the artistic and cultural life of New York State. In 1999 Ralph received an award for “excellence in theater” from the New England Theater Conference.
Since 1989 Ralph Lee has made annual trips to San Cristobal de las Casas, Chiapas, Mexico, to develop plays and a performing ensemble with the Mayan writers group Sna Jtz’ Ibajom. He is an artist-in-residence at the Cathedral of St. John the Divine, where he has staged special events with masks and giant puppets since 1984. In addition, he has produced parades and pageants featuring his giant figures for celebrations in Central Park, the Bronx Zoo, the New York Botanical Garden, the Ringling Museums in Sarasota, Florida and the International Festival of Arts and Ideas in New Haven, Connecticut.
From February through May, 1998, the New York Public Library for the Performing Arts at Lincoln Center presented a retrospective exhibition of Ralph Lee’s work that attracted record-breaking crowds to the gallery. As part of the Henson Foundation’s International Festival of Puppet Theater, the Children’s Museum of the Arts featured an exhibition entitled “The Masks and Magic of Ralph Lee” in September, 1998. During 2000 there were three exhibits in New York City featuring creations designed by Ralph Lee for Mettawee productions. Masks and puppets from THE WOMAN WHO FELL FROM THE SKY were on exhibit in the ambulatory of the Cathedral of St. John the Divine; an array of giant figures were display in the Courtyard Gallery of the World Financial Center, and an exhibit of sketches and models were in the gallery of The Kitchen.