FLUSHING (Make Room for Someone Else)



July 22 & 23, 2022 | Fri. & Sat at 8 p.m. | Sun. July 24 at 4 p.m.
in the Mainstage Theater in Emily Dickinson Hall on the Hampshire College campus.

Conceived and Written by Linda Parris-Bailey and Eric Bass
with original songs by Linda Parris-Bailey and Eric Bass
Performed by Linda Parris-Bailey, Eric Bass and Kirk Murphy
Directed by Kathie deNobriga
Puppets by Ines Zeller Bass
Lighting Design by Sabrina Hamilton
Additional recorded music by Julian Gerstein
Choreographic support by Shoshana Bass

It begins at the Brink, where two theater directors are passing the leadership of their ensembles to the next generation.  This moment sparks a reflection on what it means to retire and what it might mean to inherit.  For those stepping down, what do we leave and who do we become?  And for those stepping up, how do we take what is given and make it our own?

A story told with puppets, with songs, and with a deep personal investigation of how Time brings us all to moments of truth and inevitable change

Post-show discussions with the artists & guest panelists will follow each performance.


So that we may protect the most vulnerable among us, all audience members must be masked with an N95 or KN95 or equivalent mask, worn so it covers both the nose and mouth. All members of the Artistic Team and Ko Staff have been vaxed, boosted and are tested before performances. We suggest that you test before attending the event, as well.




LINDA PARRIS-BAILEY is a Playwright, Director and Actor with more than 46 years of experience. She served as the Executive/Artistic Director of Carpetbag Theatre and was their primary playwright from 1974-2019. As an independent playwright and artist, she has been commissioned by professional and community-based partners such as Touchstone Theater, The Higher Ground Project and Junebug Productions. Parris- Bailey has curated events and festivals for several organizations including Women’s Playwrights International, American Festival Project and Performing Americas (NET). She has provided culturally-driven facilitation services to organizations such as The Highlander Center, The W. K. Kellogg Foundation and the African Theatre Association (AfTA) International Conference. Her company, Parris-Bailey Arts, supports diverse voices and the work of playwrights, solo artists and ensembles in the development of new performance works by creating opportunities for mentoring, networking and sharing of resources during the creation process.  Linda was previously at the Ko Festival  in 2011 with Carpetebag Theatre developing her script, Speed Killed My Cousin.

ERIC BASS is Co-Founding/Co-Artistic Director of Sandglass, has worked for over forty years as a director, playwright, performer and mask and puppet maker. In 1982, Mr. Bass founded Sandglass Theater in Munich, Germany, with his wife, Ines Zeller Bass. As a stage director, Eric has worked on four continents and his signature solo work, Autumn Portraits, toured around the world for three decades. His international projects include co-directing The Story of the Dog with Sovanna Phum Theater in Cambodia, Natan el Sabio with Teatro Luis Poma in El Salvador, and a puppet production of Tennessee Williams Glass Menagerie for Theater Waidspeicher in Germany.  Eric  toured for six years in the Sandglass production of D-Generation: An Exaltation of Larks, a piece about people with dementia that premiered at the Ko Festival in 2012. He continues to travel with Babylon, journeys of refugees, Sandglass’ puppetry and music exploration of the issues of fleeing war and violence and of how asylum seekers are received in a new homeland.  Eric served for five years on the board of the Network of Ensemble Theaters. In 2010, he received the Vermont Governor’s Award for Excellence in the Arts. He first appeared at the Ko festival in 2003.

INES ZELLER BASS  (Puppet and Stage Design) is a Co-Founder of Sandglass, has been performing with puppets since 1968, when she became a member of the Munich marionette theater, Kleines Spiel. In 1978, she created her children’s hand puppet theater, PUNSCHI, which has toured Europe, Australia and the US. In 1982, Ines co-founded Sandglass Theater with husband Eric in Germany and moved the theater to Vermont in the mid-1980s. Ines started Sandglass Theater’s program for family audiences. Together with Eric, she teaches their approach to puppetry performance and devised composition in workshops in Vermont abroad, and at the Ko Festival. She designed the puppets and set for Natan El Sabio, a collaborative project with Teatro Luis Poma in El Salvador. Ines’ puppets and design for Babylon: Journeys of Refugees, Sandglass Theater’s production, include two of her many crankies. Ines has last been touring with Sandglass’ production of D Generation, An Exaltation of Larks, a piece about people with dementia. She is an UNIMA citation winner and in 2010, received the Vermont Governor’s Award for Excellence in the Arts. Ines has retired from touring but is still very connected to Sandglass through her designs and puppet building, including puppets for Eric’s new collaboration with playwright and performer Linda Paris-Bailey. Ines has also built the Little Merrill puppet for Tune Yard’s new music video.

KATHIE deNOBRIGA is a founding member of Alternate ROOTS, a service organization for community-based artists in the South; she served as ROOTS’ executive director and planning/development director for ten years. Raised in Kingsport TN, deNobriga holds theatre degrees from Wake Forest University in Winston-Salem, NC. She has directed scores of community and professional theatre productions across Tennessee, North Carolina and Georgia, including short puppet plays at the Center for Puppetry Arts and 7Stages in Atlanta. DeNobriga served as Mayor for the City of Pine Lake, where she is an advocate for and practitioner of arts and community development. She recently semi-retired as a consultant specializing in strategic planning.

KIRK MURPHY, long associated with Sandglass Theater, is a puppeteer and musician based in southern Vermont. He has toured extensively with the company, performing first with Sandglass Theater in their collaboration with Cambodian shadow puppet theater Sovannah Phum beginning in 2005. He last appeared at the Ko Festival in D-Generation, An Exaltation of Larks, Sandglass’ award winning piece that explored the creative potential of people living with mid to late stage dementia.

JULIAN GERSTIN, percussionist and composer, has spent a lifetime studying and performing traditional and popular music from Martinique, Cuba, Puerto Rico, Brazil, Ghana, Nigeria, South Africa, Eastern Europe and the Arab world, as well as American funk, zydeco, and a variety of jazz styles from New Orleans brass bands to contemporary improvisation. He currently appears with the Puerto Rican traditional ensemble Bomba de Aquí, Latin jazz group Trio Mambo, soul band VT Shakedown, and as leader of the JG Sextet, performing his original jazz/Caribbean compositions. In addition to Sandglass and the Sextet, Julian has composed for chorus, modern dance and other theater companies. With a PhD in Anthropology, Julian taught academically for many years until his recent retirement, and continues teaching community-based classes at the Vermont Jazz Center, where he is also President of the Board of Directors. In 2020 he completed the MFA in Music Composition program at the Vermont College of Fine Arts.

SABRINA HAMILTON co-founded and is the Artistic Director of the Ko Festival of Performance in Amherst, MA. For many years she worked with the New York theatre company Mabou Mines as Lighting Designer, Production Manager, Stage Manager, Performer, and Assistant Director.  This June she was invited to created an installation version of Starcock for the Mabou Mines 50th Anniversary Celebration,  a piece she first worked on in 1985. She has spent much of the past several years lighting shows and touring with Sandglass Theater. Collaborations with Sandglass include lighting Autumn Portraits, All Weather Ballads, D-Generation: An Exaltation of Larks, the show that closed Ko’s season on “Age & Aging,” and When I Put On  Your Glove.

Sandglass Theater has been supported, in part, for this project by contributions from The Carpetbag Theatre, Parris-Bailey Arts and grants from the National Endowment for the Arts, Alternate ROOTS (2020 Artistic Assistance Project Development), the Network of Ensemble Theaters’ Travel & Exchange Network (NET/TEN), both supported by lead funding from The Andrew W. Mellon Foundation and by the National Endowment for the Arts.  

Ko has been supported, in part, for this engagement by the New England States Touring program of the New England Foundation for the Arts, made possible with funding from the National Endowment for the Arts Regional Touring Program and the six New England state arts agencies.

Additional information


Fri. July 22 at 8 p.m, Sat. July 23 at 8 p.m., Sun. July 24 at 4 p.m.

Ticket Type

Patron Price $32 (includes $2 handling Fee) THANK YOU SO MUCH!, Standard Price $24 (includes $2 handling fee), Discounted Price $12 (includes $2 handling fee) Suggested for those with SNAP/EBT cards, on unemployment, or with income affected by COVID.

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